Warrior was a
tricky film for me. My initial review spoke to the pleasure I had in watching
it, but made no mention of its current status as a contemporary classic that I’ll
never forget. And there’s a simple reason why: back then, I liked Warrior, now, I’m forever indebted to
it. It’s a brutal, mainstream work of art equipped with a heart larger than
most any five films put together.
Looking back, neither the film nor any of its performances
popped up on my end of the year lists, which I find astonishing. If I drafted
my top films of 2011 today, Warrior
would be in the Top 5, no question. It’s a perfect movie with a flawless,
heartbreaking ending, which is what I’d like to talk about today.
A note to the detractors: is it improbable that estranged
brothers Brendan (Joel Edgerton) and Tommy (Tom Hardy) would make it into the
same MMA tournament, beat all of their respective opponents, and face each
other in the ring for a massive winner-takes-all purse? Sure, but who gives a
shit. While not necessarily a very subtle metaphor, the brothers’ final bout
has nothing to do with mixed martial arts. This is the culmination of years of
hatred and oppression. And I simply cannot think of a better, more moving way
for it to play out.
I’m not a sports commentator, and honestly find little
interest in dishing out a blow-by-blow in print, so instead of dictating
Brendan and Tommy’s epic showdown, I’ll attempt to cut to the heart of it.
The two enter the fight with Tommy the clear aggressor. He
has dominated each of his opponents in the tournament quickly and
remorselessly, and by the time he’s standing toe-to-toe with the brother he
hates, he’s ready to rage. But shortly into the third round, Brendan dislocates
Tommy’s left arm, and the fight is all but over. Except it’s not. Tommy hasn’t
had enough yet.
Filled with decades of angst brought on by an abusive,
alcoholic father, and capped by caretaking for a dying mother many years ago,
Tommy stands in his corner antagonizing a reluctant Brendan to finish what he
started. When the next round begins, Brendan hesitantly centers in the ring and
gives Tommy the beating of his life. Brendan works the shoulder, hooking and
jabbing at it again and again. And again. Brendan’s faithful wife averts her
eyes, as the boys’ father observes in horror.
The real beauty of this scene occurs when this round ends.
Brendan slowly makes his way to his corner, as Tommy cries from his side of the
ring. Mark Isham’s beautiful music slowly transforms into a revelatory
rendition The National’s “About Today” (which, according to director Gavin
O’Connor, is the song that chiefly inspired this film), and then it happens.
Brendan locks eyes with his father, and the two share one of the most publicly
intimate moments I’ve witnessed in recent cinema.
It’s a stare of a son telling his father, “You did
this,” and a father telling his son, “Yes, I know, and I’m forever sorry.”
The final round commences, “About Today” pounds away, and
before long, Brendan locks Tommy up in a way that forces Tommy to tap out and
lose the fight. But Tommy’s tap out isn’t brought on from excruciating pain. He taps
because he’s tired. Tired of spending his life hating his brother, his father,
and himself. I don’t see it as Tommy giving up, but rather, starting new. He’s
accepting that much of his life has been shit, and now’s the time to let
someone in. Someone who’ll literally pick him up and carry him home.
I’d like to end there but I can’t. I can’t end this analysis
without highlighting its most important aspect. Yes, the scene soars because of
the collective efforts of Edgerton, Hardy, The National, and O’Connor, but its
emotional anchor is rooted in the swollen, weathered face of Nick Nolte. Paddy
Conlon isn’t simply watching his
oldest son carry his youngest child to peace, he’s accepting the resolve. With a slight look of astonishment that shifts
to subtle sadness and finally to insurmountable appreciation, I think Paddy
understands that he may never speak to either of his sons again, but at least
he’s responsible for bringing them together. So what does he do? Smiles to
himself, shakes his head in contentment, and tips his hat. But tips it to who?
His boys? The God he so warmly believes in? Nah. I like to think he’s tipping
it to himself. Job well done, Paddy. For the first time in a long time, your
boys are going to be all right. Job well done indeed.
Previous installments of My Favorite Scene include:
8 Mile
Babel
Brokeback Mountain
Crash
Deliverance
Fargo
The Godfather
The Godfather Part II
GoodFellas
He Got Game
House of Games
Hustle & Flow
Inception
Inglourious Basterds
Insomnia
Jackie Brown
Leaving Las Vegas
Philadelphia
Platoon
Pulp Fiction
Raging Bull
Redbelt
The Rules of Attraction
Se7en
Sleepers
Three Kings
the Films of Tony Scott
Babel
Brokeback Mountain
Crash
Deliverance
Fargo
The Godfather
The Godfather Part II
GoodFellas
He Got Game
House of Games
Hustle & Flow
Inception
Inglourious Basterds
Insomnia
Jackie Brown
Leaving Las Vegas
Philadelphia
Platoon
Pulp Fiction
Raging Bull
Redbelt
The Rules of Attraction
Se7en
Sleepers
Three Kings
the Films of Tony Scott
Alex, I caught up with Warrior on DVD because I'd heard a few good things and was really surprised by how much I liked it. Despite the fact that its plot is predictable, the actors sell the characters so much that it doesn't matter. I was pulling for both guys (especially Brendan) and think it feels more like a character-driven indie than a mainstream film. The last scene is really effective because of the emotional connection that you mention. Great post!
ReplyDeleteThanks Dan! I agree, Warrior feels far more indie than its budget let's on, because it is such a moving, character-driven film. I really love everything about it, and its final scene just ROCKS me. Thanks for commenting!
DeleteThat is a great scene. Filled with lots of emotion as well as action. Definitely a surprise for me and the use of the National just made it even better.
ReplyDeleteOh it was a huge surprise for me as well. Did not expect that type of power at all. Its use of "About Today" is just perfect. As if it was written for the film itself.
Delete...it is the use of The National song that tips this over the edge...into greatness! Fantastic conclusion. I think I had tears in my eyes...not often I can say that.
ReplyDeleteI'm not afraid to admit it, the ending to this film brings tears to my eyes everytime I watch it. It's just so moving and perfect. I absolutely love it.
DeleteThanks so much for reading/commenting, Dan!
Great write up! For me that was hands down the best scene in the movie. I really liked the film and the performances but the way that scene was done was just so amazing and emotional. LOVE when The National's song started to play, that was a perfect choice of music for what was going on.
ReplyDeleteThanks, Sati! This film has so many powerful, gut-wrenching moments, but yeah, none work as well for me as this one.
DeleteI listend to the DVD commentary, and that's where O'Connor said "About Today" was a huge influence on the script for Warrior, and that they crafted much of the action in the film around that song. I can so identify with that. It made me love this movie (and this scene in particular) even more.
Wonderful analysis. Love the scene, performances, music... it all works for me.
ReplyDeleteThanks man. This one just nails me. Goes right for my heart. I love it.
DeleteI tear up every time at this scene, it's so beautiful.
ReplyDeleteThis movie was my 2nd of 2011 and I actually have it 5th of all time. I truly love it!
I'm a big Edgerton and Hardy fan, but wow, Nick Nolte in this movie is incredible and feels so real.
I know you're as big of a fan of this movie as I am, which I think is just so cool. I've probably seen this ending upwards of 40 times and I tear up everytime too. It's fucking perfect.
DeleteThanks for commenting, Alex!
Very nice summary of one of the best scenes of 2011 without a doubt. It's definitely a worthy conclusion to a film so emotionally intense I was left completely exhausted by the time it ended. There's certainly a lot of improbability in the story and it moves forward in a undoubtedly mainstream kind of way, but it's oh so effective I couldn't care less.
ReplyDeleteYou're right to point out the excellent acting of all the three men, but especially by Nick Nolte who definitely deserved the nod by the Academy for best supporting actor.
PS. Not sure if you remember me. You stopped by my blog a while back due to a common spammer that visited us both. I took a pretty long blogging break due to academia, but I'm back to posting regularly and I hope we can keep sharing our thoughts on film in the future. Really good post btw.
Hey man, thanks so much for stopping by. I completely understand why you took your break. School can be overwhelming, but I'm glad to see that you're back in the mix. I've bookmarked your page and will scope it out frequently!
DeleteSo glad to hear you're a Warrior fan. I love the hell out of that film, that ending, and that poor old bastard Nolte. So very good all around.