Part of what makes Steve McQueen’s new film, 12 Years a Slave, so great is its eclectic cast. Throughout the
film, familiar faces pop in and out of scenes for brief periods
of time, proving that it isn’t the amount of screentime that matters to an
actor, but rather, what they do with the time they’re given. From superstars to
virtual unknowns, here’s a breakdown of the talented people who help make 12 Years a Slave one of the very best
films of the year.
Notable Roles: Funny
People, Ugly Betty, Parkland
Best Role: Who can forget Batt’s heartbreaking turn
as Mad Men’s Sal? Ever since his
untimely departure, I’ve always secretly hoped Sal would make it back to Madison
Ave. Sadly, I think Sal is gone baby gone.
Liza J. Bennett
Notable Roles: Royal
Pains, Common Law, Person of Interest
Best Role: Bennett is responsible for one of the most
gut wrenching moments of 12 Years a Slave,
when she tells a traumatized worker that her “children will soon be forgotten.”
I’ve never seen Bennett in anything else, but given her work in McQueen’s film,
she deserves to be a big, big star.
Marcus Lyle Brown
Notable Roles: Eve’s
Bayou, The Shield, Stolen, Treme, Drop Dead Diva, The Host
Best Role: Brown has popped up memorably in a number
of things over the years, but I’ll never forget him saying “Yes sir!” to Billy
Bob Thornton after Thornton calls him a racial slur in Monster’s Ball. There’s so much patronizing defiance in those two
words. It’s actually quite jarring.
Bill Camp
Notable Roles: Public
Enemies, Lawless, Damages, Lincoln
Best Role: Easy, as Van in Compliance. A dim witted man tricked into doing a very, very bad
thing.
Chris Chalk
Notable Roles: Then
She Found Me, Homeland, Being Flynn, The Newsroom
Best Role: I enjoy what Chalk does with his
underwritten character, Gary Cooper, on The
Newsroom, but his brief arc on a slave ship in 12 Years a Slave was fascinating. From quiet leader to ecstatic
“Massa, Massa” house slave, it made for one of the film’s most disheartening moments.
Benedict Cumberbatch
Notable Roles: The
Whistleblower, Sherlock, Tinker Tailor Soldier Spy, War Horse, The Fifth Estate
Best Role: Cumberbatch’s die-hard fans, which have aptly
titled themselves “Cumberbitches,” would be better at choosing the actor’s best
role, as I haven’t seen them all (including Sherlock).
So, as it stands now, I suppose I’m most taken with his beyond-creepy turn in Atonement. He played that part with
utter conviction. Props for his flawless American accent in 12 Years a Slave, though. Dude has a
killer voice.
Paul Dano
Notable Roles: L.I.E., The Girl Next Door, Taking
Lives, Little Miss Sunshine, Meek’s Cutoff
Best Role: “I AM A FALSE PROPHET, GOD IS A
SUPERSTITION!”
Garret Dillahunt
Notable Roles: The
Road, No Country for Old Men, The Assassination of Jesse James…, Winter’s Bone
Best Role: Dillahunt is a master of slimy deception,
my favorite incarnation of which was as Francis Wolcott (and/or Jack McCall…) in HBO’s Deadwood.
Chiwetel Ejiofor
Notable Roles: Dirty
Pretty Things, Kinky Boots, Children of Men, Talk to Me, Redbelt
Best Role: That would be Solomon Northup. Give the
man an Oscar. Period.
Michael Fassbender
Notable Roles: Hunger,
Fish Tank, Inglourious Basterds, Jane
Eyre, Prometheus, The Counselor
Best Role: Michael Fassbender is the finest actor of
his generation. I love him in everything, but his performance in Shame is one of the best film acting
performances I have ever seen.
Paul Giamatti
Notable Roles: American
Splendor, Cinderella Man, The Illusionist, John Adams, Win Win
Best Role: Tough, tough call. But I suppose I most
drawn to his desperation in Sideways.
Anwan Glover
Notable Roles: Treme,
LUV
Best Role: Gotta be as Slim Charles on The Wire. Remember when he took out
Cheese? Wow.
Dwight Henry
Notable Roles: None, other than…
Best Role: Wink in Beasts of the Southern Wild, his only other screen credit. What
amazing work that was.
Taran Killam
Notable Roles: MADtv,
Just Married, Scrubs, The Heat
Best Role: His impersonations on Saturday Night Live are currently some of the best things that show
has going for it.
Marc Macaulay
Notable Roles: Passenger
57, Bad Boys, Wild Things, Burn Notice, Conviction
Best Role: Macaulay has been in the game for a long time, and it’s damn near impossible
to pick a favorite performance. Though his delivery of the line, “I’m just
gonna have the boys here kick the shit out of you,” made for one of Killer Joe’s more darkly humorous
moments.
John McConnell
Notable Roles: Interview
with the Vampire, Roseanne, Monster’s Ball, The Ladykillers
Best Role: I love McConnell’s work as DJ Jeffy Jeff
on HBO’s Treme. This dude is New Orleans.
Scoot McNairy
Notable Roles: In
Search of a Midnight Kiss, Monsters,
The Off Hours, Argo, Promised Land
Best Role: Another tough call, but I’ll go with
McNairy’s in-over-his-head turn in Killing
Them Softly. Poor bastard.
Lupita Nyong’o
Notable Roles: None
Best Role: Perhaps 12 Years a Slave’s biggest shock was the power of mostly unknown
actress Lupita Nyong’o. Her devastating work as Patsey is justly earning Oscar
talk. That would be one damn well deserved award.
Adepero Oduye
Notable Roles: Half
Nelson, The Coolest White Boy Ever
Best Role: If you thought Oduye was great as Eliza
(which, of course, she was) then you’ll be floored by her work in Pariah. It’s a perfect performance.
Sarah Paulson
Notable Roles: Deadwood,
Studio 60 on the Sunset Strip, Game Change, Mud
Best Role: Paulson is one of those actresses who
keeps getting better and better. Her work as Mrs. Epps is the best film
performance I’ve seen from her yet, but overall, Lana Winters from American Horror Story: Asylum has to be
her finest.
Brad Pitt
Notable Roles: Se7en,
Fight Club, Ocean’s Eleven, Babel, Burn After Reading, The Tree of Life
Best Role: My favorite Brad Pitt performance...?
Tough call. I’ll go with his quietly unnerving work in The Assassination of Jesse James by the Coward Robert Ford. He’s
utterly flawless in that film.
Quvenzhané Wallis
Notable Roles: None, other than…
Best Role: Beasts
of the Southern Wild, a role that made her the youngest Best Actress
nominee ever.
Michael K. Williams
Notable Roles: Gone
Baby Gone, The Road, Life During Wartime, Boardwalk Empire
Best Role: “The
farmer in the dell/The farmer in the dell/Heigh-ho, the derry-o/The farmer in
the dell.”
Alfre Woodard
Notable Roles: Cross
Creek, St. Elsewhere, Down in the Delta, Passion Fish, Primal Fear
Best Role: She’s so good in everything, but her stern
mother in Spike Lee’s Crooklyn might be her best.
Man, I have to commend Francine Maisler for her work in casting that film. There should be a casting Oscar. I would pick her for the award as well as a posthumous special Oscar for Marion Dougherty. Right now for this film (which is #1 of the year so far), I have Chiwetel Ejiofor for Best Actor, Michael Fassbender for Best Supporting Actor, and Lupita Nyong'o as Best Supporting Actress.
ReplyDeleteHell yeah man, she is fantastic at what she does. She's responsible for some of the best casts assembled for recent films and TV shows. I agree that there should be a casting Oscar. It's such a difficult damn job.
DeleteSorry I haven't had a chance to read your review yet. Been super busy. Will scope it tomorrow.
Watch Sherlock!!!!!!! But then again, his performance in Atonement got him that gig. #Cumberbitch4eva
ReplyDeletePaul Dano, man.
Can't wait to see this film.
Gah I know!! You are certainly one dedicated Cumberbitch, my friend. Wear it with pride.
DeleteAmazing list! I had no idea all these great actors were in the film. Pitt is just so good in everything and I love your choice for Paulson's best. I hope she breaks into important, acclaimed movies with this one.
ReplyDeleteThanks! Paulson is so good in every AHS. She really excels there. But wow, she is such a mesmerizing bitch in this film.
DeleteWhy did I know you were going to choose Atonement for him? (Not that I'm complaining; as you said, he is really creepy in that.) Oh, and wait until you see him in August: Osage County.
ReplyDeleteTotally love the kickass ensemble cast McQueen got for this. If he has another ensemble piece planned for the near future, he's gonna have one hell of a time trying to top this one.
I'm glad to be hearing good things about August: Osage County. Given the trailer, it looks like it could go either way.
DeleteOnce you put 12 Years a Slave into context with McQueen's other films (which were smaller in every regard, namely the size of cast), it really makes me appreciate 12 Years all that much more.
I knew this had a great cast, but I didn't know how great. I love seeing familiar faces from The Wire crop up on film. Also nice to see Adepero Oduye hanging in there after her breakthrough. I wish Pariah had received more attention last year. Can't wait until this film drifts into my neck of the woods.
ReplyDeleteYeah man, killer cast here. I was really glad Pariah won the John Cassavetes Indie Spirit Award, but I too wish that film garnered more acclaim. Oduye was exceptional in that film.
DeleteOh man you really need to see Sherlock. I thought 12 Years a Slave was great and in a strange way it's McQueen's most "crowd pleasing" film.
ReplyDelete-Dan
Yeah I know what you mean about 12 Years a Slave. It's his most accessible, for sure. I really do need to see Sherlock.
DeleteThe cast was phenomenal. I would honestly be fine with a numerous acting nominations for this film (except Adepero, I think I she struggled with her lines).
ReplyDeleteHell yeah man. Multiple noms would be perfectly fine with me.
DeleteI thought Adepero was sensational.
Camp, Dillahunt, Henry, McNairy, and Oduye (REALLY need to watch Pariah) are in this too?! What a cast! And I totally blanked on Quvenzhane Wallis. Can't wait to see this!
ReplyDeleteI know I'm repeating what's already been said, but you really should watch Sherlock man!
Clearly I cannot ignore Sherlock any longer. I love all these people whose tastes I value pushing me to watch it. I'll get on it soon.
DeleteHope you get to see 12 Year soon!
I agree with your comment on Liza J Bennett's performance as Mistress Ford. As she entered, it seemed she thought of the two slaves as lost dogs. "Two of 'em. You got two of 'em". Immediately after, with the words of "This one's cryin'. Why is this one cryin'?" she let us know by her expression that she was concerned, yet she had said 'this one' as if they were less than human. After hearing that the slave had lost her children, Mistress Ford's compassion for the plight of this poor woman was, we thought, obvious. Even saying under her breath, "poor, poor woman". With the statement that some food and rest would help, we continued to think she was almost putting herself in the slave's place. And then WHAM! "Your children will soon be forgotten". No feeling... as if the slave were truly no more than a starving dog. One that some food from a bowl and some sleep would take away all the dog's suffering. I don't know about others, but my heart stopped with those last words. To me, those few seconds set the tone for the movie even more than the previous scenes. I commend Bennett and look forward to seeing more of her work.
ReplyDeleteI love this comment. I agree with everything you said. At first, you think Bennett is going to be a sort of humble savior (much in the way of her husband) and then, as you said, WHAM!, she drops that line and we're left feeling utterly hopeless.
DeleteI don't have as much time for television as I do for film, but I definitely need to check out some of Bennett's work on TV. While I'm doing that, I'm sure she'll be landing more great film roles!
Thanks so much for stopping by and commenting. I really do appreciate it.