Stuck in the middle of Bryan Singer and Christopher McQuarrie’s
pulp fiction mindfuck thriller, The Usual
Suspects, is a quiet scene void of ego and laced with genuine fear. Noting
the absence of ego is important, because much of The Usual Suspects is basically watching men measure the length of
their cocks through sarcasm, verbal intimidation and physical violence. But
during the scene in question, four of our Suspects do nothing more than sit in
a car and debate their inevitable deaths. They don’t yell or scream or make
jokes; there are no guns or explosions or flexed muscles, only stares and
thoughts and fears.
The scene opens with a master shot of a ship port, the site where Keaton (Gabriel Byrne), Verbal (Kevin Spacey), Hockney (Kevin Pollak) and McManus (Stephen Baldwin) will interrupt a dangerous drug deal at the behest of unseen criminal mastermind, Keyser Söze. The Suspects are stuck. If they don’t complete the job, Söze will kill them and their loved ones. If they attempt the job, they’ll likely die trying, but could come out filthy rich.
For Keaton, that should be that. But he knows it’s not.
There is too much at stake, not to mention the greed itching away at him and
his cohorts. “There’s nothing that can’t be done,” Baldwin says with a perfect
balance of assuredness and caution. And then something really interesting
happens. The group shares a collective, earned silence and after a moment,
Baldwin finally breaks the tension with his flawless, impassive delivery of: “The
news said it’s raining in New York.”
Initially, this line appears wildly out of place. But upon
reflection, the simplicity of the line is actually kind of heartbreaking. We
have four guys from New York, sitting in a car in L.A., debating fate. And
although fear motivates their logic, greed is able to cloud it. So
they’re stuck. Despite the threat of physical harm, the greed of the green, and
the boner bravado of victory, these four hardened criminals are discussing
something as trivial as the weather. “The
news said it’s raining in New York.” It’s my favorite line from Christopher
McQuarrie’s Oscar-winning script. It’s a line that says, “Fuck, we’re in it bad
here, boys,” or, better put, “I wish we could forget about this and just go the hell home.”
The scene runs 60 seconds and is executed with very basic
camera coverage and only a few lines of dialogue. Yet it resonates with me as
much as anything in the film, including its infamous ending. Strangest thing.
I just love the way you analyze a scene! Great job bro. I thought the film itself was a little overcooked, but now I want to watch it again to see this moment!
ReplyDeleteThanks buddy! I really appreciate the kind words. I know some people are turned off by the film's self-awareness, but man, it has always really worked for me.
DeleteI reckon this is my all time favourite movie, it won an Oscar for Best Screenplay, love watching it over again
DeleteIt's so damn good. I actually haven't seen it in years. Need to put it on again!
DeleteGreat analysis, Alex! I love this movie a lot, it's truly a classic, and now that you've reminded me of it again, I have to rewatch it! I really love this feature of picking your favourite scenes and analysing them, it's just terribly brilliant.
ReplyDeleteAww thanks Aditya - you're too nice! So glad to hear you're a fan of this film. I absolutely love it.
DeleteWonderful post! It's been so long since I've seen this, I really should give it another watch.
ReplyDeleteThanks Brittani! I never grow tired of this one. I can watch it anytime.
DeleteGreat post Alex. Great film and great scene. My fave though, is the scene where Otmans music kicks in when Kobayashi walks into the elevator with his two heavies and McManus offs them both.
ReplyDeleteThanks Mike! Oh, that is a GREAT scene, I love everything about that moment. Ottman's contributions to this film are remarkable. Film composer AND editor. Amazing.
DeleteIt's been a very long time since I've seen that film as I need to revisit to see what happened and how the angles were staged from the first frame and such.
ReplyDeleteThis film is a great one to pick apart. The angles, the music cues - everything plays a factor into solving the mystery.
DeleteFantastic analysis, easily one of the best I've ever read for a favorite movie scene. This is definitely the best scene in Bryan Singer's unforggetable film and your analysis makes me appreciate it even more! I feel the need to rewatch the film right now! Great job, again, Alex! What else can I say, you're incredible, man.
ReplyDeleteDamn Stergios, you're the man. Seriously dude, thanks so much for this comment. SO happy to hear you're as much of a fan of this scene as I am. It's such a telling little moment.
DeleteMost days, the one thing you have going for you in L.A. is that it ain't raining.
ReplyDeleteNo chop on the west side.
DeleteWhat does Chop mean?
DeleteI honestly have no idea what this exchange between Richard and I is. I mean, I know I wrote it, but I have no clue.
Delete"Chop" (in that context) usually means heavy waves in the ocean. Like "choppy water."
Awesome, Alex! I can't believe so much was said in a minute in a feature film. Just moved it higher up my watchlist.
ReplyDeletePS -- on your sidebar, after the link Essays, you have an unfinished thought: "Extended articles on how film and my filmmaking". Thought you'd want to fix that one ;)
That's what I get for trying to update my layout! Haha. But seriously, thanks for the catch, I do appreciate it.
DeleteYou must see this movie ASAP. It's such an ingenious little thriller.
As always, brilliant choice man. That's a scene I overlooked, but it really is a great one. Great job at shining the spotlight on this little moment of genius in the film.
ReplyDeleteThanks buddy! I honestly never thought people would be remotely interested in my fascination with these little moments from great films. But I love them so much!
DeleteGreat write up of a great scene from a great flick! Gotta be one of the best crime flicks ever made.
ReplyDeleteThanks bud! Yeah man, this is definitely one of my all-time favorite crime flicks. Love it.
DeleteI loved this scene, specifically for that quote; and found this review.
ReplyDelete10/10 would read again
Thanks so much! So happy you like this scene as well.
DeleteWow. I have always loved that scene too. And I agree completely. And it's only now that I looked up that phrase for some reason, and to hear the same thoughts on that scene is awesome. I took it as a guy just wanting to be home listening to the rain in comfort, peace and familiarity rather than being across the country facing the unknown danger, uncertainty and possible death that is in front of him and his partners. Love Love that scene.
ReplyDeleteSO happy you like this scene as well. It has always stood out to me so intensely. The calm before the storm. Thanks for the comment!
DeleteWow. I have always loved that scene too. And I agree completely. And it's only now that I looked up that phrase for some reason, and to hear the same thoughts on that scene is awesome. I took it as a guy just wanting to be home listening to the rain in comfort, peace and familiarity rather than being across the country facing the unknown danger, uncertainty and possible death that is in front of him and his partners. Love Love that scene.
ReplyDeleteI had always assumed that McManus's nephew "David" lived in New York and that he was thinking about the reasons they were all stuck making this decision. Yet another level to consider.
ReplyDeleteYep, sure is. Very interesting point there. It's hard to comprehend any of these guys having any sort of family that they care about.
DeleteGreat post, you nailed it
ReplyDeleteThanks so much!
Deletemy boyfriend found your blog this morning after i checked the day's weather where i am (in SF) and then in NY. i quoted my favorite line from one of my very favorite movies, and said 'the news said it's raining in NY'. since seeing this movie in the theater 7 times, i've always found it to be the most important, the turning point of the film. and you! thank you, Alex, you perfectly captured why i've always loved it.
ReplyDeleteI love this! Thanks so much for taking the time to leave this comment. I know it can be a pain, but I LOVE stories like this. So cool to find someone else who connected with that line. Thanks again!
DeleteLove that line. It's like a Terrence Malick scene.
ReplyDeleteOhh that's a great point, I totally agree.
DeleteJust discovered this post when I searched the line "In my opinion, it can't be done." For some reason Byrne's delivery of that line always sticks in my head. Anyway, this was a really great analysis/deconstruction of this scene, which I agree is a really good moment of relative calm and reflection with some great dialogue. Particularly liked your description of the "raining in New York" moment, which helps give some context as to why it's there . Great job!
ReplyDeleteThanks so much, I really appreciate this! I've always latched on to that scene and that line. So happy to find other people who like exploring the movie in this way as well.
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