Everyone in Parasite was perfect, but Park So-damn
was the highlight for me. The sarcasm, the intelligence, the smoking – Kim
Ki-jung committed to her “role” is such an amusing way. I still laugh at the
way she corralled that boy and whipped him into shape.
In Marriage Story, divorce is well-oiled machine,
thanks in part to the crafty work of skilled divorce lawyer, Nora Fanshaw.
Dern’s steely, charismatic take on this character was terrifying. I keep
thinking of the brief scene where Dern and Ray Liotta’s character shake hands
in a courthouse hallway. It’s all smiles and handshakes, until it’s a knife in
the back.
Even though I ultimately thought Us let Lupita
Nyong’o down, Nyong’o managed to deliver two great performances in the movie, often
at the same time. Adelaide and Red were diametrically opposite, and it was such
a thrill to watch Nyong’o juggle one character’s rationality with another’s insanity.
Margot Robbie gave us the version of Sharon Tate that we
deserved. Robbie’s Tate wasn’t a victim, she was a wide-eyed, freshly talented
Hollywood player on her way to making a name for herself. Robbie had an
innocence to her here, a mystery that was so compelling. I get chills when I
hear Robbie’s voice on the Cielo Drive loudspeaker toward the end of the film.
She still has so much life to live.
The Oscar-bait biopic performance is the closest thing
Hollywood has for a scientific formula on how to win an Oscar. For the past
several years, I’ve strained to believe that most of these performances
actually deserved the Oscar (Best Actor 2014 and 2018, anyone?), but Zellweger
lives up to the hype as Judy Garland. This will be the rare year that I have no
problem with an actor utilizing that Oscar formula, and ultimately winning as a
result.
I find a lot of value in an actor seemingly pushing
themselves to the brink of madness. Like every performer in Climax,
Sofia Boutella was stone cold sober when she shot the film. But in playing
Selva, the good-spirited leader of a troupe of dancers who are all drugged with
LSD, Boutella delivered one of the most convincing substance abuse performances
I have ever seen. And that isn’t even mentioning Boutella’s incredible dancing
that opens the film, which is arguably even more thrilling than Selva’s acid trip.
Here’s another performance that feels just on the
brink of insanity. Becky is a famed and deeply troubled punk rock star that we catch
glimpses of over an 11-year period in Her Smell. We see Becky as a destructive
nightmare, a buttoned-up mom, and, ultimately, as a woman struggling to make it
through every day intact. Her Smell is a challenging film that deserved
a bigger audience, if for no other reason than it contains Elisabeth Moss’ best
work to date.
In July, I wrote that I feared American Woman would
be too small of a film to be remembered come awards time. And sadly, that was
right. The film premiered at TIFF in September 2018 and was quietly released in
a handful of theaters for a week or so this past June. It’s a shame that the
film didn’t get a better push, as it contains Sienna Miller’s finest work to
date, as a woman who is relentlessly grief-stricken over the disappearance of
her daughter. When the hell is Sienna Miller going to get her due?
I’m embarrassed to admit that I still haven’t seen Lady
Macbeth, the period piece indie from 2016 that put Florence Pugh on the
map. So, the first time I saw Pugh was as the hopelessly devastated Dani in Midsommar.
This character asks a lot out of Pugh, as Dani is almost always on the
verge of a complete nervous breakdown. And whether she’s playing Dani through
confusion and tears, or cries and whispers, every note of this performance is convincing. Pugh makes us feel Dani’s pain in the most unsettling
way possible.
There’s a scene midway through Waves that stole my
heart. It’s the moment I knew I was in love with the film. Tyler (played by Kelvin
Harrison Jr.) is in a bad way and comes home good and trashed. As he starts vomiting
in the bathroom, his timid younger sister, Emily, approaches him and holds
him back to normalcy. She doesn’t yell or get angry at him for puking on the
floor. Instead, she keeps whispering that things are okay, that he’ll be okay,
that they’ll be okay. The way Taylor Russell approached this scene, with such a
distinct gentleness and calm, completely made me fall in love with the
character, and the film itself.
I have to choose my words carefully here, as I know a lot of
people still haven’t seen Waves. But early in the film, Emily is treated
as secondary. She comes in and out of scenes, sort of in the background,
stepping up where she can. Later in the film, much to my delight, Emily is
given plenty more to do, and the result is one of the finest coming-of-age
performances I have ever seen. By this point, Emily has been through a lot
in her life, and I found the snapshot sequences of Emily becoming an adult to
be simply astounding. I love that in a year of intentionally loud and frantic
performances, the one that stuck out the most for me was Russell’s poised and innocent
take on Emily. Culturally speaking, we’re hit with more noise than ever before,
and it’s great to see a character like Emily remind us that being kind still has
its place in our world.
Honorable Mentions
More Best of 2019 Lists
MY TOP 10 2019
ReplyDelete01) - Adele Haenel in Portrait of a Lady on Fire
02) - Scarlett Johansson in Marriage Story
03) - Park So-Dam in Parasite
04) - Saoirse Ronan in Little Women
05) - Laura Dern in Marriage Story
06) - Kathy Bates in Richard Jewell
07) - Ana de Armas in Knives Out
08) - Florence Pugh in Little Women
09) - Awkwafina in The Farewell
10) - Anna Paquin in The Irishman
Love these picks. Great to see more appreciation for Park So-Dam. And holy hell, when can I see Portrait of a Lady on Fire?!
DeleteLots of great performances this year. I still haven't gotten around to watching Waves, Her Smell or American Woman. I really want to watch all three of those. I haven't watched Judy either, but i honestly doubt i ever will. That seems like the type of generic Oscar bait biopic we get every year that i just don't care about. I'm guessing that movie will be forgotten about the second awards season is over even if Renée Zellweger wins. As for my favorite performances i could not just narrow it down to a top 10 so i made a top 20. Too many good ones this year.
ReplyDelete20. Idina Menzel in Uncut Gems
19. Margaret Qualley in Once Upon a Time in Hollywood
18. Saoirse Ronan in Little Women
17. Julia Fox in Uncut Gems
16. Yeo-Jeong Jo in Parasite
15. Laura Dern in Marriage Story
14. Scarlett Johansson in Jojo Rabbit
13. Ana de Armas in Knives Out
12. Shuzhen Zhao in The Farewell
11. Da'Vine Joy Randolph in Dolemite Is My Name
10. Florence Pugh in Midsommar
9. Thomasin McKenzie in Jojo Rabbit
8. Beanie Feldstein in Booksmart
7. Margot Robbie in Once Upon a Time in Hollywood
6. Clara Rugaard in I Am Mother
5. Scarlett Johansson in Marriage Story
4. Kaitlyn Dever in Booksmart
3. So-dam Park in Parasite
2. Awkwafina in The Farewell
1. Lupita Nyong'o in Us
While Us didn't even make my top 20 movies of the year, i still absolutely loved Lupita Nyong'o in it. I have only watched the movie once back when it was in theaters, but her performance is still sticking with me way more than the actual movie. As for the rest of my picks i was sad to see The Farewell and Booksmart get completely shut out at the Oscars this year as well. Especially considering Awkwafina won best actress in a comedy or musical at the Golden Globes.
Great picks! You're right about Judy, as a film. I can't honestly say there's anything special about it. But I do think Zellweger's praise for her work is justly earned. And I agree that Nyong'o's work was better than that movie. I thought the movie let her down a bit, actually.
DeleteFor me so far...
ReplyDeleteBest Actress
1. Scarlett Johansson-Marriage Story/Avengers: Endgame
2. Saiorse Ronan-Little Women
3. Lupita Nyong'o-Us
4. Ana de Armas-Knives Out
5. Brie Larson-Captain Marvel
Best Supporting Actress
1. Thomasin McKenzie-Jojo Rabbit
2. Florence Pugh-Little Women
3. Laura Dern-Little Women/Marriage Story
4. Margot Robbie-Once Upon a Time in Hollywood
5. Scarlett Johansson-Jojo Rabbit.
I still haven't seen a lot though I'm hoping Parasite is still at my multiplex in the coming weekend as it just came back yet I'm still dealing with my bronchitis.
I do have American Woman and Her Smell on HBO as I hope to see them as soon as possible.
Love that Robbie made the cut! Also great to see Pugh receiving so much praise this year. I can't wait to see where her career goes.
DeleteNo love for Rebecca in Doctor Sleep? :( You should definitely see Lady Macbeth, I think you'll like this one!
ReplyDeleteI need to see BOTH of those! I honestly haven't heard much about Doctor Sleep, except on your blog. So I want to seek it out right away, because I always respect when you champion a film.
DeleteOh man, so many great performances here but so many I still need to see, too!
ReplyDeleteI haven't seen Lady Macbeth either but I know I need to :)
Same here! I've heard nothing but great things. Really interested to see Pugh's earlier work.
DeleteGreat list! I haven't seen American Woman or Climax so I can't speak to them, but I would've swapped Robbie for Bombshell. I didn't love how little she had to do in OUATIH but I thought she was marvelous in Bombshell. Glad to see so much love for Taylor up at the top!
ReplyDeleteThanks so much! Totally hear you on this. I actually thought Robbie had a ton to do in Hollywood, she did it with her eyes, with movement. But she was definitely great in Bombshell, and I'm so happy she was nominated. Yay for Taylor!
DeleteDef dig what you say about the formulaic method to winning an Oscar, and how Zellweger deserves it. Is it a good movie tho? Should I see it.
ReplyDeleteCouldn't get into Waves nor the characters from the second half of the movie... :\
Judy is exactly what you think it's going to be, but Zellweger owns it throughout. But, yeah, like most all music biopics, I doubt I'll find a reason to watch that movie again.
DeleteBummed about Waves, but I get it. I heard the director say that the first half of the movie is a panic attack, and the second half is a hug. I dunno, it worked for me in every way.
There's so many picks here I have to see, but nice to see your description of Renee as not a total dig at her or the movie. As a huge Judy fan, the movie was too traditional, but I was grateful it wasn't salacious and thought Renee did a fitting job. And yes, Sienna needs to get her due sometime.
ReplyDeleteNice that we agree on Judy! I honestly expected to not like that film at all, but she really brought a unique energy to it. I'm not mad at all that she'll win the Oscar.
DeleteI have seen quite a few of these and I agree. Pugh is so young yet she manages to somehow embody so much life and wisdom and it's scary to witness. I liked her Midsommar performance a lot, Fighting With Family wasn't my favourite movie but she was good in it. Lady Macbeth still hasn't been watched by me either so you're not alone here! :D
ReplyDeleteJudy was meh for me. Too.. as you said.. Oscar bait and I wasn't biting. Zellweger was good.. but for me, not memorable actually.
I still need to watch Waves, Climax, Her Smell and American Woman.
"Wisdom" is an absolutely perfect way to describe Pugh's acting. Because that's what she brings, a unique wisdom that is rare in performers her age. I can't wait to see where her career goes.
Delete